Storm King Music Festival

A Celebration of Classical Music and New Technology

Composers & Artists Biographies - 2002

Overview 02

Barbara Siesel, Artistic Director Storm King Music Festival, Flutist. Ms. Siesel is a Flutist who performs traditionally and is also active in experimental new media and performance projects. Ms. Siesel has appeared as soloist in principal halls of China, Korea, Spain, Japan, Taiwan, Russia and the United States. She has made extended tours of the Far East, Spain and China including three weeks of workshops, master classes and recitals at the Central Conservatory in Beijing, and appearances in Japan and Taiwan sponsored by the Altus Flute Co., Ltd. In 1995, representing women in the arts, she appeared in solo concert at the United Nations Conference on Women in Beijing. Ms. Siesel served as soloist at Jornados de Musica del Siglo XX in Segovia, Spain, California's Redwood Festival, the Adirondack Festival of American Music, the Derriere Guard Festival in New York City, and the Festival of the Performing Arts at Florida International University. Continuing her long-standing interest in interdisciplinary work and multimedia, Ms. Siesel was asked to create and direct an experimental interdisciplinary/ multimedia program at the New World School of the Arts in Miami, Florida. She serves as the Artistic Director of Art Culture & Technology, ACT, a pioneering organization at the crossroads of art and digital media; creating classical music videos, installations, and fostering cross-disciplinary collaborations for the American Music Theater Festival in Philadelphia, The Snug Harbor Cultural Center and Downtown Arts Festival in New York, the Centennial Olympics in Atlanta, and more.
In progress is a collaboration with composer Sidney Corbett on a video performance piece in full evening recital. The work will explore the cultural impact of one family's escape from Germany through a montage of computer imagery and new music in a traditional setting.
In 1982 Siesel co-founded the Andiamo Chamber Ensemble, serving as Artistic Director from 1984 to the present. Andiamo has commissioned and premiered works by such noted American Composers as Aaron Kernis, Michael Torke, Ronald Caltabiano, Jay Yim,Zhou Long, and Stefania de Kenessey among others. Known for its' innovative and thematic programming, Andiamo over the years has presented various adventurous series including: The Millennium Project: a lecture/concert series looking at 20th century composition through the issues of the century, concerts exploring the Second Viennese School, and other recitals that presented multicultural collaborations (notably Chinese and Western). Andiamo has held residencies at the New School and Florida International University, and been the recipient of grants from the National Endowment of the Arts, the New York State Council on the Arts, and the Manhattan Fund among others.
During 1999, she served as a panelist for the NY State Council on the Arts Composers Commissions and participated in the Manhattan School of Music's Careers in the 21st Century. Recently, she organized with ACT a session on music and new technology for Chamber Music America's Annual Conference.
In Summer 2001 Ms. Siesel will release her first solo CD on the ERM label playing works by "New Traditional American Composers" including Lowell Liebermann, Stefania de Kenessey, Elena Ruehr and others. She will also release two music videos co-produced with ACT of works by composers Fredrick Kaufman and Elena Ruehr, incorporating the visual art of noted filmmaker and painter Donna Cameron. She can also be heard on CRI, Opus One and BMG.
Ms. Siesel received her Bachelor's and Master's degree's from The Juilliard School where she was a student of Samuel Baron. She has had further studies wit Julius Baker, Gerardo Levy, and Thomas Nyfenger; and master classes with Jean Pierre Rampal and James Galway.

Other works of Ms. Siesel can be seen on her website www.BarbaraFlute.com

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Executive Producer

Iva Kaufman is the founder of Art, Culture & Technology. She is a specialist in designing programs that address contemporary issues, including artist and community access to new media and technology. Most recently, she co-produced public art installations for the Downtown Arts Festival in New York; Art Center South Florida; the American Music Theater Festival in Philadelphia; and the Fourth World Conference on Women in Beijing. Ms. Kaufman has helped initiate programs in the public interest that range from conflict resolution to women's financial and economic empowerment. She directs the Sun Hill Foundation's program on the environment, community development, and arts education and outreach. Ms. Kaufman has assembled the team of program and technical consultants, curators, and multimedia producers to carry out the work of ACT.

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Development Director

James Kraft is a director of development for arts organizations. He was a Senior Vice President at Brakeley, John Price Jones where he advised and directed campaigns at Arena Stage, Cleveland Museum of Art, John F. Kennedy Library, and London Symphony Orchestra, among others. He was Assistant Director at the Whitney Museum of American Art where he was responsible for development and membership, and Vice President for Development at Manhattan School of Music. He is now a private consultant and directs the capital campaign at the American Craft Museum. He has a Ph.D. in English and has taught at the University of Virginia, Université Laval in Quebec, and Wesleyan University.

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Technical Director

Howard Weiner is responsible for coordinating and managing technology and engineering for the Storm King Music Festival. He is the leading specialist in integrating computers and video in film environments. In addition, his company, Video 35, has provided videowalls and computer displays for commercial productions and the advertising campaigns of Lucent Technology, AT&T, MCI, NEC, Microsoft, Federal Express, Chrysler Corporation, and others. As Director of Systems and Technology for Art Culture & Technology his credits include equipment and technical support for festivals such as "CrossWaves/Performance = Technology," the Alternative Museum, and the recent antigun violence launch event of PAX. He engineered the 26-monitor videowall for the 1992 Democratic National Convention and works regularly on feature films and episodic television.

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Co-Producer

Robin Hastey, Co-Producer, web site designer, graphics work. After 15 years in the banking industry, Robin switched to music working primarily with folk artists. She has been creating publicity materials and web sites while managing a small crafts business locally.

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Composers

Bob Bralove

Bob Bralove (pictured on the left) was the sound designer and co-producer for the GRATEFUL DEAD from 1987 until they disbanded in 1995, and is best known for for his involvement in the mindbending "Drums and Space" segments of a Dead Show. Those moments between Drums and Space where the music was flowing and the lights throbbing and no one seemed to be on stage were usually Bralove wailing on a synth behind the drum riser.
He first crossed paths with the Dead while sharing scoring credits with them on the CBS remake of The Twilight Zone (which can still be seen on the Sci-Fi cable channel). During the previous eight years he directed the computer synthesis and sound design for STEVIE WONDER in his live shows and recordings. His relationship with the Dead grew to co-writing songs,(Picasso Moon, Way to go Home and Easy Answers) production credits ("Infrared Roses" and "Built to Last") . Website: www.dnai.com/~ssight/

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Elizabeth Brown

The music of composer/performer Elizabeth Brown is intimate, lyrical, and melancholy. Recent commissions include Blue Minor (St. Luke's Chamber Ensemble, DIA Center for the Arts), Catalog of Scents in the Garden at Night (Bravo! Vail Valley Music Festival), Lost Waltz (Orpheus, Carnegie Hall) and Delirium (Newband, Knitting Factory and the Great Hall at Cooper Union).
Collected Visions, an installation done in collaboration with photographer Lorie Novak, has been presented by the International Center of Photography in NYC, the Smithsonian Institution, and the Center for Creative Photography in Tuscon. Delirium, which features the original microtonal instruments of American composer/inventor Harry Partch, was performed by Newband to open the 2001 Bang On a Can Marathon at BAM's Opera House. Brown has written for a number of other unusual instruments, including viola d'amore, glass armonica, and traditional Japanese instruments (she is an accomplished shakuhachi player). In fall 2001, she was a fellow at the Rockefeller Foundation's Bellagio Center in Italy working on a piece for Dan Bau (traditional Vietnamese monochord) and chamber orchestra. Her music can be heard on CRI's Emergency Music: Bang on a Can Live Vol. II, Dance of the Seven Veils (Newband) on Music and Arts and The Aids Quilt Songbook on Harmonia Mundi. Brown still performs extensively, and recently gave solo moonlight shakuhachi performances in Maine's Acadia National Park and in the sculpture quarry of the Lacoste School for the Arts in Provence.
Brown was born in 1953 in Camden, Alabama, where she grew up on an agricultural research station. She received a Master's degree in flute performance from The Juilliard School, and started composing in her late 20's. Now living in Brooklyn, she's an avid reader, quilter, gardener, and birdwatcher.

For more information visit Elizabeth's website.

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Tom Constanten

Rock and Roll Hall of Famer, was the keyboardist for the Grateful Dead from 1968 through 1970, adding his magic to such psychedelic classics as "Anthem of the Sun," "Live Dead" and "Aoxmoxoa," as well as hundreds of live shows. A composition student of Karlheinz Stockhausen and Luciano Berio, Constanten was Artist in Residence at Harvard University in 1986. He has produced several solo albums of both classical and contemporary music. Website: www.dnai.com/~ssight/

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Sidney Corbett

Sidney Corbett was born in Chicago in 1960. He studied composition and philosophy at the University of California, San Diego and at Yale University, where he earned his doctorate in 1989. From 1985 to 1987 he studied composition at the Hamburg Academy of Music with György Ligeti. His composition teachers also included Martin Bresnick, Jacob Druckman, Bernard Rands and Pauline Oliveros.

Corbett has composed orchestral, instrumental and vocal music, and also one opera. His works have earned him numerous awards and prizes (e.g. Irino Foundation, Tokyo, Radio France Musique, BMI) and have been performed widely both in the United States and abroad. Corbett's music has been featured at a number of prominent international festivals for contemporary music, such as the Gaudeamus Music Week, Amsterdam, Styrian Autumn, Graz, the Zagreb Biennale, the Zürich Festival and in New York's Lincoln Center In 1998, portrait concerts dedicated to Corbett's music were held at the Wien Modern Festival, Vienna and at the Festival for New American Music, in Sacramento. Interpreters of his works include the RSO Stuttgart, the NOA Orchestra, New York, the Orchestra of the Finnish National Opera, Helsinki, the South German Radio Chorus and many well known soloists. Recent commissions have come from IKAB Berlin (Chamber Symphony, for the Leipzig Sinfonietta), Performing Arts Chicago (for the Raschèr Saxophone Quartet) and from the Schwetzinger Festival (a song cycle for soprano Ruth Ziesak). Corbett's first full-scale opera, NOACH, based on a libretto by Christoph Hein and commissioned by the Bremen Theatre, was premiered in Bremen in October 2001.

In 1995 Sidney Corbett was a guest professor for composition and analysis of contemporary music at Duke University. He has also lectured at Yale University, the University of California, Berkeley, University of Illinois, Urbana, and internationally at the House of Composers, Moscow, the Royal Danish Conservatory, the University of Münster, Hamburg University and at Martin Luther University in Halle. Corbett is the author of articles on musical subjects in both English and German. His works are published by Moeck Verlag, Celle (European-American Music), Bärenreiter Verlag, Kassel, and by Verlag Neue Musik, Berlin. Radio recordings of Corbett's music have been broadcast by NPR, KPFK San Fransisco, Radio Tokyo, Radio Moscow, Nederlands Radio, Radio France Musique, Radio Zagreb and by virtually every German radio station. Commercial recordings have been released on CRI/Emergency Music, New York, Ambitus Records, Hamburg, Koch International and BIS Records, Sweden. A solo CD of Sidney Corbett's music was released on Kreuzberg Records in 1998. Sidney Corbett currently resides in Berlin, Germany.

Website: www.chaconne.com/corbett/corbett_en.html

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Stefania de Kenessey

is a leading figure in the current contemporary classical music revival. Honored repeatedly with awards from ASCAP, her music has been heard on five continents as well as throughout the US. She is founder and artistic director of The Derriere Guard, an alliance of traditionalist contemporary artists, architects, poets and composers. Highly regarded as a composer of instrumental works her concerto for trumpet virtuoso Christopher Gekker will be released on Helicon Records. She has written for, among others, flutist Elizabeth Mann and the St. Luke's Chamber Ensemble, the Meridian String Quartet, the San Jose Symphony, the Manhattan Chamber Orchestra, and the Absolute Ensemble. Her popular piano sonata Sunburst has been honored with three different recordings and is available simultaneously on the North/South, E.R.M. and Leonarda labels; "Shades of Light, Shades of Dark", a CD of her chamber music performed by the Andiamo Chamber Ensemble is also available.

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Dean Drummond

Composer, conductor, multi-instrumentalist, music instrument inventor, co-director of Newband and Director of the Harry Partch Instrumentarium Professor of Music, Montclair State University.
Born in 1949 in Los Angeles, Drummond received degrees in music composition from the University of Southern California (Bachelor of Music, 1971) and California Institute of the Arts (Master of Fine Arts, 1973). While a student, he studied trumpet with Don Ellis and John Clyman, composition with Leonard Stein, and worked as musician for and assistant to Harry Partch, performing in the premieres of Partch's Daphne of the Dunes, And on the Seventh Day Petals Fell in Petaluma, and Delusion of the Fury, as well as on both Columbia Masterworks recordings made during the late 60's. In 1976, Drummond moved to New York, where he co-founded Newband the following year with flutist Stefani Starin. Since 1977, Drummond has been engaged in a multifaceted career including composition, hundreds of performances, recordings, production of Harry Partch's music theatre works, encouragement and education of composers interested in new microtonal resources, and many educational activities for children.

Drummond's numerous compositions feature new instruments, synthesizers, new techniques for winds and strings, and large ensembles of exotic percussion. Since the late 1970's, his music has been largely concerned with the exploration of microtonal possibilities. Drummond's music has been performed throughout the world including at The Library of Congress, Avery Fisher Hall, Carnegie Hall and The Barbican Centre in London, and recorded on Mode, Music and Arts, and Talujon. His music has won numerous awards and commissions including a Guggenheim Fellowship, National Endowment for the Arts, New York State Council on the Arts, Library of Congress, Koussevitzky Foundation, Meet the Composer, the Mary Flagler Cary Charitable Trust, Chamber Music America, and The Fromm Music Foundation at Harvard University.

Recent works include: The Last Laugh - a live film score for the silent film by F.W. Murnau, commissioned by the Meet the Composer/Readers Digest Fund and Bruce Ide, premiered by Newband at the Wexner Center for the Arts in Columbus, Ohio, 9-28-96; Mars Face for violin and microtonally programmed synthesizer commissioned by The Library of Congress and premiered by Newband at The Library of Congress in Washington, DC, 3-11-97; and Congressional Record for low voice and eight instrumentalists commissioned by Chamber Music America and premiered by Newband at Washington Square Church in New York City, 6-4-99.

As co-director of Newband, Drummond has produced and conducted Harry Partch's The Wayward at Circle in the Square, Oedipus at The Metropolitan Museum of Art, and Daphne of the Dunes with choreographer Alice Farley at La Mama Experimental Theater. He has produced and performed on recordings of music by Harry Partch, John Cage, Thelonius Monk and numerous others. He has premiered unperformed works by Partch and new works by Cage, John Zorn, Muhal Richard Abrams, Mathew Rosenblum and numerous others. As a Director of the New York Consortium for New Music, he helps produce the annual Sonic Boom Festival in New York City.

Drummond has invented two musical instruments, the zoomoozophone (1978) and the juststrokerods (1988). Drummond's instruments have been used in movie soundtracks, television, and many new compositions, including by Drummond, John Cage, Ezra Sims, Muhal Richard Abrams, Steve Gorn and Elizabeth Brown. Since 1990, Drummond has served as Director/Curator of the Harry Partch Instrumentarium, supervising the replication, renovation and improvement of Partch's creations. As an instrumentalist, Drummond has performed upon many of the Partch instruments (especially kithara, surrogate kithara, harmonic canons, adapted guitar) and his own zoomoozophone throughout the U.S. and Europe.

Drummond has served in many educational capacities. He was: Coordinator of Newband's Chamber Music America Residency at Northern Westchester Center for the Arts and the Katonah Lewisboro School System, Artist in Residence at Nyack High School, and Artist in Residence at Purchase College of the State University of New York. He has conducted hundreds of workshops for middle school, high school and college music students, and professional composers. He has taught at Purchase College and Sarah Lawrence College and is currently Professor of Music at Montclair State University, New Jersey.

Drummond's multifaceted career has received increasing accolades from colleagues and press. Avant Magazine (UK) has written "We're not talking musical novelty here; we're talking major landmarks in musical history. Forget the labels such as iconoclasts and outsiders; Harry Partch, Dean Drummond and Newband are as much a part of 20th century music as Copland, Stockhausen and Takemitsu and must be respected as such." The Village Voice has written "No music happening in America today is more culturally crucial than what Dean Drummond's Newband ensemble is doing to recreate, restore and preserve Harry Partch's theater works." The Washington Post wrote "Drummond's music is richly emotional and deeply expressive...also music that finds considerable power in what would be cracks on a piano keyboard...Drummond may be opening a world to people who had thought they would never like that kind of music."

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Harold Farberman

(biography taken from Bard faculty site ) Harold Farberman was born on November 2, 1929, on New York City's Lower East Side. Coming from a family of musicians (his father was the drummer in a famous 1920s klezmer band led by Schleomke Beckerman; his brother was also a drummer), it was inevitable that he would pursue music as a career. After graduating from the Juilliard School of Music on scholarship in 1951, Farberman became the youngest member of the Boston Symphony Orchestra (BSO) when he joined its percussion section.

With a performer's knowledge of percussion instruments and a dissatisfaction with their conventional treatment by most composers, Farberman became an early advocate for the use of percussion sonorities as a major voice in compositional structures. During his twelve-year tenure with the BSO, Farberman earned a master's degree in composition from the New England Conservatory of Music. His very first work, Evolution, written in 1954 for soprano, French horn, and seven percussionists, is scored for over one hundred percussion instruments and has been recorded four times, once by Leopold Stokowski.

After hearing Evolution in 1955, Aaron Copland invited Farberman to study composition with him at Tanglewood. In 1956 his Quartet for Flute, Oboe, Viola and Cello received first prize in the New England Composer's Competition with Walter Piston as head of the jury. In 1957 Greek Scene, a trio for mezzo soprano, piano, and percussion, was chosen to represent the United States in an International Composer's Symposium held in Paris. Within the next few years a growing interest in his music led to several commissions and awards.

During the summer that Farberman studied composition with Copland, he was also one of three active conductors in Maestro Eleazar de Carvalho's conducting class, and in 1963 Farberman left the Boston Symphony to embark on a conducting career that has earned him an international reputation. He has been music director of the Colorado Springs, Colorado, and Oakland, California symphonies, and principal guest conductor of the Denver Symphony and the Bournemouth (Great Britain) Sinfonietta. Farberman has been a frequent guest conductor and recording artist of major orchestras, including the London Symphony, Royal Philharmonic, BBC, Stockholm Philharmonic, Swedish Radio, Danish Radio, Hessischer Rundfunk, and Hong Kong Philharmonic.

For his dedication to the music of Charles Ives through performance and recordings, Farberman was awarded the Ives Medal. He is the founder of the Conductors Guild and also created the Conductors Institute, the premiere training ground for young conductors from around the world. His text The Art of Conducting Technique is published by Warner Brothers.

Like Farberman the conductor, the music of Harold Farberman is well traveled and has been heard in numerous international venues. Albany Records released four CDs featuring works written by Harold Farberman, and his Cello Concerto was premiered by the American Symphony Orchestra in November 2000 at Lincoln Center's Avery Fisher Hall. Among his many works that have received awards and commissions are:

An opera for Lincoln Center for the opening of the Juilliard Opera Theater.

Symphonies for the Oakland Symphony Orchestra, Oakland, California; Denver Symphony Orchestra and Colorado Springs Symphony Orchestra, Colorado; Concordia Symphony Orchestra, New York; and Bournemouth Sinfonietta, England.

Chamber works for the Kroumata (Sweden) Chamber Ensemble, Stuttgart (Germany) Chamber Ensemble, and the Lenox String Quartet.

Music for dance performances for the Murray Lewis Company and the Emily Grankel Dance Drama Company.

Music for the Academy Award–winning film The Great American Cowboy (1974).

Commissions from PBS New York, Channel 13.

Grants from National Endowment of the Arts, Colorado Arts Council, New York State Arts Council.

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Wendy Griffiths

Wendy Griffiths' music has been performed in New York beginning in the 1980's when she performed with her band at clubs like CBGB's. Since then she has composed chamber works, art songs, dance scores and an opera, "The Quiet American," funded by the National Endowment for the Arts. Her music has been performed on the Composers Concordance series, at the Merce Cunningham studio and the Manhattan School of Music, at the Yale-Norfolk Chamber Music Festival and in Stockholm as part of a festival of American Chamber Music. Ms. Griffiths has an M.M. the Mannes College of Music and a D.M.A. from CUNY where she studied with Thea Musgrave, Bruce Saylor and David Olan. She currently teaches in the Extension and Preparatory Divisions of the Mannes College of Music and directs the vocal music division of Music Under Construction of which she is a founding member. Ms. Griffiths appears as a keyboard player with the Greenwich Village Orchestra and with her ensemble Changing Modes.

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Ping Jin

was born in 1964, in Shenyang, China. He studied composition at the Central Conservatory of Music in Beijing. In 1990 he came to the United States to study composition at Syracuse University and the University of Cincinnati's College-Conservatory of Music, where he received his doctorate.

Ping Jin is currently Assistant Professor at the State University of New York at New Paltz, where he teaches composition, music theory, electronic music, and world music. As a composer, his interests lie in the integration of Western and Eastern aesthetics. These interests are reflected in his current compositions, which have been widely performed. In his Pipa Dance, commissioned and premiered by the Cincinnati Symphony Orchestra, the Chinese instrument pipa and the Western orchestra engage in a dialogue in which they maintain their distinct characters. In Jin's piano trio, "Xipi," commissioned and premiered by the Newstead Trio, he focused on the relationship between instruments, as well as the juxtaposition and transformation of disparate musical ideas. This piece has been performed in China, Italy, and many cities in the US The influences of Eastern philosophy, such as a sense of space and timing, can be found in his Second String Quartet and in The Rites of the River Gods, written for trombone and percussion. These two pieces have been performed in Hong Kong and Mexico, respectively.

Among Ping Jin's publications include The Happiness of the Snowflakes, written for soprano and piano, which won the first prize at the national Contest for Art Song Writing in China in 1988, and Autumn Moon in the Qing Temple, for piano solo. Both works were published by the Musical Works in Beijing. Three pieces for Chinese instrument ensemble, Xi Fang Zang, Xing Xiang Zi, and Eternal Panorama, were released on China Record label. His A Buddhist Nunnery Incantation, written for pipa solo, was released on CD in a project funded by the City of Cincinnati. Ping Jin's piano trio, Xipi-Themes from Peking Opera, was released on Prince Productions label.

Ping Jin received an award from the New York State Council on the Arts (NYSCA) for his recent work Yangtze! Yangtze!, written for flute, clarinet, violin, violoncello, piano, and percussion. The piece was premiered by the Society for New Music in Syracuse, in March, 2002. His other two pieces, A Green Willow, written for Chamber Orchestra, and Four Chinese Folk Tunes for piano, were also premiered in March.

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Bruce Lazarus

Bruce Lazarus' ouvres include 30 major works which range from choral and orchestral pieces, music for ballet and modern dance, chamber music, and solo piano to experimental combinations such as bagpipe and saxophone. He studied composition at Juilliard with Vincent Persichetti and Andrew Thomas and earned his B.M. and M.M. in music composition. 2001 commissions include: Three Winter Madrigals for the Cantabile Chamber Choral; StarSongs, for the Juilliard Precollege Chorus; Eight Candles - A Hanukkah Cantata for the Men's Chorus of South Miami; Alpha Centuri for the Rasia chamber ensemble; and the Shirley Perlman Foundation (for Celestial Navigation, two pianos, performed by Duo Turgeon). Lazarus' music is featured regularly at the Storm King Festival in Cornwall-on-Hudson, NY

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Carman Moore

is both a composer and conductor, who played the French horn with the Columbus Symphony before moving to New York. He studied composition privately with Hall Overton and at the Juilliard School with Luciano Berio and Vincent Persichetti. Moore began composing for symphony and chamber ensembles while writing lyrics for pop songs, gradually adding opera, theatre, dance and film scores to his body of work that reflect his upbringing in black culture, his classical training and his voracious curiosity. Moore is the Founder, Conductor, and principal composer of the electro-acoustic SKYMUSIC ENSEMBLE. In-residence at the Cathedral of St. John the Divine, his Intermedia Mass for the 21st Century, commissioned by Lincoln Center, attracted the largest outdoor audience in history. Among Moore's scores for theatre are Yale Rep's production of Shakespeare's Timon of Athens and When The Bough Breaks at LaMama E.T.C. A well-known composer for dance, his scores for dance include Goddess of the Waters, choreographed by Alvin Ailey for the Ballet Company of La Scala, and several major works for Donald Byrd and Ruby Shang with whom he was awarded coveted Meet-the-Composer Readers Digest Composer/Choreographer Awards. A dedicated educator, Moore has taught at the Yale University Graduate School of Music, Carnegie-Mellon, and The New School for Social Research. In 1995 he served as consultant to Wynton Marsalis on the PBS-broadcast series for children, Marsalis On Music. Carman Moore has served as music critic and columnist for the Village Voice and has contributed to The New York Times, The Saturday Review of Literature, and Essence among others. He is the author of two books: Somebody's Angel Child: The Story of Bessie Smith (Dell), and Rock-It. His work for string trio and synthesizer The Mystery of Tao had its world premiere in February 2001 with The Chamber Music Society of Lincoln Center. In the Spring of 2002 Moore's large intermedia work for children RASUR, GOD OF PEACE will have its premiere in San Jose, Costa Rica, opening their International Festival of the Arts.

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Coleridge-Taylor Perkinson

(Biography taken from CBMR website) Coleridge-Taylor Perkinson is principal conductor and Coordinator of Performance Activities at the CBMR. Mr. Perkinson is one of the nation’s foremost composers and conductors. He studied composition at the Manhattan School of Music and Princeton University; and he studied conducting at the Berkshire Music Center, at the Salzburg Mozarteum, and with Franco Ferrara and Dean Dixon. From 1965 to 1970, he was co-founder and associate conductor for the Symphony of the New World and was its acting music director during the 1972–73 season. He has appeared as guest conductor with many orchestras around the world and has served as music director for the Alvin Ailey Dance Company, Dance Theatre of Harlem, and for productions at the American Theatre Lab, the Denver Center for the Performing Arts, and the Goodman Theatre. He has composed and conducted scores for numerous award-winning theatrical, television, and documentary films.

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Yuzuru Sadashige

Yuzuru Sadashige received his MM in composition from Manhattan School of Music and a BM in composition from Berklee College of Music. His composition teachers include Elias Tanenbaum and James Russell Smith. Mr. Sadashige has received the Brian M. Israel Award from the Society for New Music, honorable mentions from Vienna Modern Masters and Percussive Arts Society. His score for an independent film ANA: Portrait in Days won the New York University 54th Annual First Run Festival's award for best original film score. Mr. Sadashige has written several theater scores for The Actors Company Theatre and dance scores for Music under Construction composer-choreographer collaboration series. His works have been featured by NewEar, Synchronia, Civic Orchestra of Chicago, The New York Clarinet Quartet, the ONIX New Music Ensemble of Mexico City, Music Under Construction and Nota Bene Ensemble In 1999, Mr. Sadashige was a composer-in-residence for the American Chamber Music Festival at Edsvik, Sweden. He is a cofounder and co-artistic director of the New York based new music group NeWorks. He is a member of an alternative rock band Changing Modes.

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Eric Somers

is Chair of the Department of Performing and Visual Arts at Dutchess Community College. He began his career as a classical music television producer for network television where he worked with many noted musicians including Eugene Ormandy, Thomas Schippers, Wolfgang Sawallisch, William Steinberg, Benita Valente, Richard Goode, Radu Lupu, Paul Zukofsky, Rudolf Bookbinder, Ruth Laredo, and others. He maintains a sound design practice called The Sandbook Studio which creates fine art sound recordings and electronically produced sound compositions for theatre, dance, film, video and art gallery installations. Mr. Somers is senior Editor of the Newsletter of the Society for Electro-Acoustic in the United States and President of the International Community for Auditory Display. Eric Somers has taken master classes in electro-acoustic composition with Pierre Boulez, Luciano Berio and Joel Chadabe.

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Brian Taylor

is a music director/arranger/producer who has studied classical flute since age eight. After receiving numerous national awards in classical and jazz performance as a college student, he moved to New York City in 1979 to study flute with Julius Baker. In 1981 he co-founded the Baroque Invention with his writing partner Bettina Covo, and that group has performed at Lincoln Center, Weill Recital hall, and many other venues. In the mid 80's, Brian co-founded an original electric band Chromatica, taking a completely different path from classical to creating a new and innovative approach to modern music. The 1990's brought more musical changes, as Brian became heavily involved on Broadway as performer in Sunset Boulevard and Miss Saigon, while establishing himself as one of the most versatile and imaginative arranger/producers on the music scene. His rich musical tapestries can be heard on numerous television and movie soundtracks, as well as guest performances as a world musician with other recording artists. In recording, Brian surrounds himself and the artist with some of the world's best musicians, recording engineers and studios to create truly unique and emotionally involving music. Website: www.headystuff.com

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Jim Theobald

Jim Theobald was born in 1950 and grew up in northeastern Massachusetts, in the town of Wakefield. He began musical studies at the age of 4, although his first performance was at the age of 18 months, in which he sang a portion of La donna e mobile in a talent show. His first instrument was the piano, but his hands were too small so he took up the accordion at the age of eight. In seventh grade he began studying the trombone, which he played through his college years, until composing began to take most of his musical time.

He has studied with some of the major composers of recent times: Jack Beeson, Edward Miller, Edward Diemente, Charles Dodge and Chou Wen-Chung.

Jim Theobald’s music has been performed at, among other places, Merkin Concert Hall, Weill Recital Hall, Donnell Library, Lincoln Center Library, the University of Michigan, the Queens Museum, Roulette, Experimental Intermedia Foundation and Bargemusic, and has been broadcast in New York and by the Australian Broadcasting Company. His work has been performed by many artists worldwide, including flutist Andrew Bolotowsky, saxophonist Paul Cohen, percussionist Bruce Smith, cellist Enrique Orengo, trombonists David Taylor and Dale Turk, the American Baroque Ensemble, Alliance for American Song, the Brooklyn Philharmonia, the World Saxophone Quartet, the Paul Price Percussion Ensemble, Magevet Jewish Choir, the Lowell Philharmonic Orchestra, the Cherokee Symphony and the Ukiah Symphony and the Columbia Mid-Gorge Symphony.

From 1972 to 1985, Jim was the host of a regularly-scheduled radio program of 20th century music on WBAI in New York – one of the few such programs on New York radio at that time. He has interviewed composers from Alan Hovhannes to Earle Brown to Yannis Xenakis. He also has written extensively on music topics for The Villager, The Brooklyn Phoenix, Ear Magazine and New Music Connoisseur.

Theobald has over 200 pieces in his catalog, including three symphonies for orchestra and several large wind-ensemble works, two full-length and three short operas, concerti for piano, viola, cello and euphonium, sonatas for trombone, cello and tenor saxophone, numerous piano solo pieces, a series of solo works called Mantras which can be performed in any combination with each other, a cantata, numerous choral works, songs, four string quartets, many short pieces for chamber orchestra and dozens of chamber works for groups ranging from the traditional to the bizarre. One of his pieces requires several hundred years for a complete performance. His work has been recorded on Opus One, Soaking Towel and Joe’s Smashing Records. Jim has been commissioned by the SoHo Baroque Opera, the Lowell Philharmonic, Andrew Bolotowsky, serpentist Douglas Yeo, euphonium virtuoso Kevin Thompson, the Caerleon Music Center in Wales, cellist Enrique Orengo and the Hollis Town Band. His Three Sketches from Mark Twain for piano trio received its premiere on March 17, 2002 at Weill Recital Hall in New York City.

Recently, Theobald’s music was performed by the Composer’s Concordance, the Hollis Town Band, the Battleground Symphony, the University of Maine at Farmington Orchestra, the Cherokee Symphony in Iowa and received several performances by Andrew Bolotowsky, including the premier of Variations on an Inappropriate theme for Baroque Flute. He has just finished a piece for the Cherokee Symphony in honor of the Great Bike Ride Across Iowa this summer.

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Raymond Torres-Santos - Composer and Conductor

Raymond Torres-Santos' multifaceted career encompasses amazing wide range of musical talents as a composer, teacher, conductor, pianist and arranger, equally at home in both classical and popular music. His style bears the hallmark of no particular orthodoxy, but rather shows the effect of an assimilating musical ear, subtle and sophisticated but also startling and novel as well. In recent years his versatility and music has attracted audiences in Europe, Latin America and the United States. He is considered one of the leading composers of his generation. His works have been performed by the American Composers Orchestra, Boston Pops, Pacific Symphony, Bronx Arts Ensemble, Continuum, New Jersey Chamber Music Society, Queens Symphony, Quintet of the Americas, the orchestras of Virginia, Taipei, Puerto Rico, México City, London, and Vienna as well as many other independent groups in the USA, Spain, Italy, Germany, and Argentina. Featured at the Casals Festival, World Fair in Seville and Op Sail 2000, his music has been used for television and radio programs, and choreographed by dance companies.

Born in Puerto Rico, he studied at the Casals Conservatory of Music and at the University of Puerto Rico. He holds a Ph.D. and M.A. in composition at the University of California, Los Angeles (UCLA) and completed advance studies at Stanford and Harvard University. He furthered his studies in Europe; first at the Ferienkurse fur Neue Musik in Germany, and later at the University of Padua in Italy. His major professors were Henri Lazarof, David Raksin and Alberto Ginastera.

As a composer, his works include orchestral, electronic and vocal music for the concert hall, ballet, film, theater, television and radio. Recipient of awards given by ASCAP, BMI, Meet the Composer, American Composers Forum and the Puerto Rico Symphony has recorded the American Music Center in New York, his music -published by RTS Music (ASCAP)-. His Requiem is available on CD. His music for films has been featured in national television, at the Venice Film Festival and earned him a Henry Mancini Award in Los Angeles.

In addition to composing, Torres-Santos is an accomplished arranger, conductor and pianist, equally at home in both classical and contemporary music. He has arranged for the best performers in the Americas, such as: Frank Sinatra and Julio Iglesias. Most recently, he arranged for Placido Domingo's Christmas in Vienna with the Vienna Symphony. Recipient of the Frank Sinatra Award in jazz composing and arranging, he has also served as orchestrator for film composers in Hollywood, such as Dave Grusin, Lalo Schifrin, Ralph Burns (Vacation, Phantom of the Opera), Ron Jones (Star Trek) and Ry Cooder (Brewster's Millions). A studio jazz pianist, he has worked with Maynard Ferguson, Freddie Hubbard, Bobby Shew, and Tito Puente.

As conductor he has conducted the Bronx Arts Ensemble Orchestra, American Symphony Orchestra, New York Virtuosi Ensemble, Cosmopolitan Symphony Orchestra, México City Philharmonic, Queens Symphony Orchestra, the Darmstader Ensemble, the Puerto Rico Symphony Orchestra, the Taipei Philharmonic, and members of the London Symphony. He has also conducted the symphony orchestras and choruses at UCLA, Manhattan School of Music, Northwestern University and California State University. He has also conducted Hollywood studio orchestras in films and served as music director for pop singer Vikki Carr and Dianne Schuur.

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The Performers

Lois Anderson

Pianist, is also active as a composer and improvisanist. She has performed with the New Jersey Symphony and Chamber Music Society, and the National Chorale, at Lincoln Center, Carnegie Hall, on WQXR and National Public Radio. As a composer and arranger, her musical scores have been heard on ABC-TV and PBS. A frequent performer of new music, Lois contributed original music to "Breaking Out of the Virtual Closet," one of the first global Internet collaborative art projects. She is heard on the recently released CD "The Saxophone Project," featuring John David Lamb. She received Bachelor and Master of Music degrees from Manhattan School of Music. Currently Ms. Anderson is on the faculty of New Jersey City University.

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Cheryl Priebe Bishkoff

Cheryl Priebe Bishkoff, described as "a musician of incredible artistry" (Richmond News Leader), is universally recognized for her inspiring musicality, uniquely glorious sound and characteristic performing style. Her recent appearances include performances of Copland's Quiet City with New York Philharmonic trumpeter Phil Smith and Beethoven chamber music at the renowned Newport Music Festival. She is currently in her eighth season as principal oboe of the Rhode Island Philharmonic and the New Hampshire Symphony. In addition she is also principal oboe of the Western (NY) Chamber Orchestra and assistant principal of the Bethleham (PA) Bach Festival Orchestra. Previous to her appearances in Rhode Island, Ms. Bishkoff has served as Acting Principal of the Buffalo Philharmonic and as principal in many other orchestras, including the Albany (NY) Symphony, the Lancaster (OH) Festival Orchestra, the Wheeling (WV) Symphony and the Virginia Symphony. An accomplished recitalist, she frequently appears both as soloist and in chamber music programs including recent concerto performances at the Bach and Beyond Festival. Ms. Bishkoff is an instructor at Vassar College in Poughkeepsie, NY and has a large private studio in Rhode Island. She has recorded on the Dorian label. A student of Ray Still, Fernand Gillet and Ralph Gomberg, Ms. Bishkoff attended the New England Conservatory of Music.

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James Borchers

James Borchers is an active Performer and Composer. He has performed in a variety of settings including Wind Ensemble, Orchestra, Chamber Groups, Musicals, Jazz/ Big Band and Drumset/percussion for numerous rock bands including the group, Strange Pleasures. As a Composer he has written for a variety of ensembles and has had performances in the Midwest, England, and New York.

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Justine Fang Chen

A native of Brooklyn, New York, Justine began piano, composition, and violin studies at an early age. As a violinist, she has appeared internationally as a soloist with orchestras in prestigious venues including Moscow's Tchaikovsky International Concert Hall, the Beijing Conservatory, the Shanghai Conservatory, the Taipei Municipal Concert Center, Taichung Cultural Center, New York's Alice Tully Hall and Town Hall, and Meyerson Symphony Hall in Dallas, and other venues in Los Angeles, Taipei, Kaohsiung, and Tienjing. As an orchestral musician, she has performed in Avery Fisher Hall, Carnegie Hall, Alice Tully Hall, and Suntory Hall in Japan under such distinguished conductors as Kurt Masur, Otto-Werner Mueller, Marin Alsop, Andre Previn, Pierre Boulez, Hugh Wolff, Carl St. Clair, Gerard Schwarz, and Bobby McFerrin.

In recent seasons, Ms. Chen has made recital appearances in New York, Shanghai, Osaka, and Taiwan. Critical acclaim from The Strad :"Justine Chen performed Bernstein's Serenade with conscientious instrumental authority, self-discipline and variable expressivity.", and the Hardwick Gazette reviewed her as: "Playing her lead instrument with unerring fingering, flamboyance, and professional confidence, Chen showed that she was a master violinist in every respect." The Osaka daily paper called her recent recital performance "Intoxicating."

In 1998, she began extended studies of computer music. Since 1999, she has been actively studying the intricacies of interactive computer music program MAX/MSP. Her education, led by Mari Kimura, cutting-edge violinist and MAX/MSP programmer, has resulted in her composition and performance of three interactive computer pieces: One, Two, Three (2000), Good Ol' Smoke and Mirrors (2001), and Aria Ex Machina (2001). To this end, she has recently received a grant to study at IRCAM in June 2003.

As a composer, she has won numerous awards and commissions including two ASCAP Awards to Young Composers, the Interlochen Arts Academy National Composition Competition, the Fourth International Aaron Copland Composition Competition, and the National Federation of Music Clubs' Composition Competition. Recent projects and performances include collaborations with several Juilliard choreographers and a commission from the New Juilliard Ensemble, which was premiered in Alice Tully Hall. When her collaborative piece, Of Roots and Stones was featured on the Spring Dance Concert at The Juilliard Theater, February 2000, the New York Times praised her music as ". . the kind of propulsive, emotionally resonant score that choreographers tend to dream of." In summer of 2000, she served as Composer-in-Residence in the Appalachian Summer Festival in Boone, North Carolina. There she collaborated with choreographer Adam Hougland and the Broyhill Chamber Ensemble in the creation of a new dance work, Stand Nine, in which the dancers and musicians interact as equal dramatic partners onstage. Recent performances include critically acclaimed performances in The Special Prisoner, a collaboration with director James Glossman, and Trilemma, a collaboration with digital artist Ye Won Cho, which has been selected for major festivals such as the Student Academy Awards and the International Animation Festival Hiroshima, will be broadcast on PBS in June 2002.

Recent commissions include a sextet for Concertante, the virtuoso New York based string ensemble, scheduled for premiere in February 2003, an oratorio using the text of Christina Rosetti's Goblin Market, for the Henry Street Settlement, scheduled for premiere in May 2003, and a chamber opera with computer enhancement, for The Juilliard School, scheduled for premiere in December 2003.

After finishing her Bachelor of Music degree at The Juilliard School as a Violin and Composition major, she was awarded the prestigious Peter Menin Prize at her graduation for Outstanding Achievement and Leadership in Music. Upon completion of her Master's Degree last spring in Violin and Composition, she received the William Schuman Award for Outstanding Achievement in Leadership in Music for Graduate Students. She is currently in her second year of Doctoral studies at Juilliard as a C.V. Starr fellow, studying composition with Robert Beaser. Her former violin teachers include Stephen Clapp, Sally Thomas, Ann Setzer, and Hisako Resnick; and in composition, David Diamond, Andrew Thomas and Philip Lasser.

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Dose Hermanos

Bob Bralove was the sound designer and co-producer for the GRATEFUL DEAD from 1987 until they disbanded in 1995, and is best known for for his involvement in the mindbending "Drums and Space" segments of a Dead Show. Those moments between Drums and Space where the music was flowing and the lights throbbing and no one seemed to be on stage were usually Bralove wailing on a synth behind the drum riser.
He first crossed paths with the Dead while sharing scoring credits with them on the CBS remake of The Twilight Zone (which can still be seen on the Sci-fi cable channel). During the previous eight years he directed the computer synthesis and sound design for STEVIE WONDER in his live shows and recordings. His relationship with the Dead grew to CO-writing songs,(Picasso Moon, Way to go Home and Easy Answers) production credits ("Infrared Roses" and "Built to Last") . Website: www.dnai.com/~ssight/

Tom Constanten, Rock and Roll Hall of Famer, was the keyboardist for the Grateful Dead from 1968 through 1970, adding his magic to such psychedelic classics as "Anthem of the Sun," "Live Dead" and "Aoxmoxoa," as well as hundreds of live shows. A composition student of Karlheinz Stockhausen and Luciano Berio, Constanten was Artist in Residence at Harvard University in 1986. He has produced several solo albums of both classical and contemporary music. Website: www.dnai.com/~ssight/

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Michèle Eaton

Soprano Michèle Eaton has earned praise for her "ravishingly pure, silver-hued voice" (St. Louis Post Dispatch) and her sensitive interpretations. Highly respected for her mastery of many styles, she is best known for her performances of Baroque and Renaissance music. She frequently sings on the Sacred Music in a Sacred Space series at St. Ignatius Loyola Church, where she has performed Handel's Solomon and Saul, Bach's Mass in B minor, Tavener's Lament of the Mother of God and Monteverdi's Vespers of 1610. She has frequently toured and recorded with the acclaimed Renaissance vocal group Pomerium, long recognized as one of the world's premiere ensembles for its beautiful phrasing and perfect intonation. With the Ensemble for Early Music she has appeared in staged productions of Sponsus, a medieval morality play. She also sings with the period instrument orchestra, the New York Collegium.

Ms. Eaton's other solo oratorio performances have included Handel's Israel in Egypt. Judas Macabaeus and the Messiah, Mozart's Vesperae Solennes de Confessore, Bach's St. John and St. Matthew Passions and Jauchzet Gott in Allen Landen, Faure's Requiem, Haydn's Missa Sancti Johanni, Vivaldi's Magnificat, Carissimi's Jephte, Purcell's Come Ye Sons of Art and Schubert's Mass in G. In addition, with Mr. Schickele's alter ego, P.D.Q. Bach and tenor David Düsing, she tours annually with Peter Schickele Meets P.D.Q. Bach and Peter Schickele & P.D.Q. Bach: The Jekyll & Hyde Tour.
She is equally at home in performances of contemporary music. She has sung John Adams' Grand Pianola Music with the Jacksonville Symphony, and she has toured internationally with the Philip Glass Ensemble in performances of Einstein on the Beach; she has also performed and recorded Glass' Hydrogen Jukebox. At the Aspen Music Festival, she was a Vocal Chamber Music Fellow and premiered Henry Brant's Rain Forest Requiem. She can be heard on the soundtrack for the film Dead Man Walking, and has recorded on the Deutsche Grammophon, Angel, Dorian, Sony Classics, Nonesuch, Arabesque and Delos labels. She lives in New York City.

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Emily Faxon

Violinist, Assistant Concertmaster, Hudson Valley Philharmonic, Hudson Valley String Quartet, Artist in Residence State University of New York at New Paltz. PONE Ensemble for New Music. Festival including Music in the Mountains and the Bach festival.

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Laura Flax,

Clarinetist has been praised by the New York Times as "one of those musicians for whom everything is not only possible, but easy." She is recognized as one of New York's most versatile players. Ms. Flax is currently Principal clarinetist with the New York City Opera Orchestra, the American Symphony Orchestra and the Bard Festival Orchestra. This past season she had the distinction of playing Principal clarinet with 3 Lincoln Center Orchestras: the New York Philharmonic, the Metropolitan Opera, and the New York City Opera. She has been a member of the San Francisco and San Diego Symphonies, and is also a member of the Brooklyn Philharmonic and Eos Chamber Orchestras. Ms. Flax is a frequent guest of the St. Luke's, Orpheus, and American Composers Orchestra. Her recent solo appearances include performances with the American Symphony Chamber Orchestra, the Puerto Rico Symphony and the New York Chamber Orchestra. A member of the Naumburg award winning Da Capo Chamber Players for twenty years, Ms Flax was involved in over 100 premieres including works by Joan Tower, Shulamit Ran, Philip Glass and Elliott Carter. She has given master classes and recitals throughout the country at institutions and chamber music societies including Eastman School of Music, Pittsburgh Chamber Music Society, U. of Chicago , Carnegie Recital Hall, and MIT. As a chamber artist, Ms. Flax has appeared regularly with Jaime Laredo's Chamber Music at the Y series, Suzuki and Friends in Indianapolis, Da Camera of Houston, and with the Bard Music Festival. Ms. Flax's recordings of Joan Tower's Wings is available on the CRI label. Her recent release of Shulamit Ran's clarinet music is available on Bridge records.

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Cristina Fontanelli

"-Elegant and vivacious - a young Callas" according to the review of Mario Fratti, the Tony Award-winning playwright. Cristina is quickly becoming a well-known personality through her appearances on Italian and American radio, TV, opera and in concerts, where she is gathering rave reviews for her performances.

A listing of some of the popular "giants" she has appeared with would include Tony Bennett, Joel Grey, Joan Rivers, Vic Damone, Red Buttons, Kaye Ballard, Sergio Franchi and many others. Her beautiful soprano voice has taken her to the White House s part of President Clinton's holiday celebration, to Gracie Mansion at the invitation of New York's Mayor Giuliani, and to Washington, D.C. to open the ceremonies for the National Italian American Foundation's 20th Anniversary, whose honorees included President Bill Clinton and Tony Bennett.

She is a favorite guest artist with many prestigious orchestras throughout the United States and the world, including the Boston Pops, the St. Louis Symphony, the Brooklyn Philharmonic, the Grand Rapids Symphony, the New Jersey Pops and the Bloomington Pops and has appeared in major venues such as the Kennedy Center, Lincoln Center and the Philadelphia Academy of Music. Ms. Fontanelli has also completed three world-tours with the Mantovani Orchestra.

In the world of classical music, Ms. Fontanelli has appeared with opera companies throughout the United States and abroad including the Palm Beach Opera, the New York Grand Opera, the Cairo Opera, the Teatro Nacional, Santa Domingo and the Sha Tin Auditorium in Hong Kong. She has toured the Middle East extensively as an "Ambassador of Opera". Her operatic repertoire includes such heroines as Mimi, Musetta, Violetta and the title role of "Madame Butterfly". She has also toured as a solo concert artist in major concert halls throughout Japan, Korea, Italy and the United States.

Ms. Fontanelli has performed with such prestigious theatres as the Coconut Grove Playhouse and the New Jersey Shakespeare Festival. Her "popular" dates have included appearances at the Tropicana Trump Taj Mahal  and Marina Casinos in Atlantic City and on the Crystal and Cunard Cruise Lines. She is a favorite at many Italian Festivals throughout the U.S including Milwaukee (more than 10 appearances), Chicago and L.I.'s Eisenhower Park.

She has been the recipient of many awards including winning her Italian operatic debut through the American Opera Auditions, receiving grants from the Puccini and Koussevitsky Foundations, performing at the Casa Verdi in Milan under the auspices of Giulietta Simionato, being named "Woman of the Year" by the Ethnic Press Council of Toronto and being awarded the Italian- American Heritage Award by the St. Ann's Festival in Hoboken, New Jersey. Two of her most recent achievements were awards presented by Boys Town of Italy and the Sergio Franchi Music Foundation.

Ms. Fontanelli is proud to announce the release on the Meadowlands Record Company label of "Cristina Fontanelli Sings Great Italian Favorites" produced by platinum record award-winning songwriter/producer Sandy Linzer.

She is much in demand for radio broadcasts across the country and has had the privilege of appearing on N.Y.'s WQXR Robert Sherman Show and Boston's WGBH with host Ron Della Chiesa. TV appearances have included the "Jerry Lewis Muscular Dystrophy Telethon" and RAI/USA's "Italians in America".

Ms. Fontanelli was born in Brooklyn, New York of Italian heritage and is a graduate of the American Academy of Dramatic Arts. She has also attended the Juilliard School in New York.

Many major publications, including The New York Times, have praised Ms. Fontanelli's singing  having "technical ease" and "flaunting bravura", but perhaps this quote taken from a recent review best sums up the artistry of this versatile soprano - she is a "show stopper".

More information can be found on Ms. Fontanelli's website at www.CristinaFontanelli.com

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Dr. Lizbeth Goodman

is a performer, director and scholar whose work in theatre, dance and convergent media have led to the production of many programmes and performances worldwide. She is Director of the SMARTlab Centre for Site Specific Media, Performing and Digital Arts at Central Saint Martin's College of Art and Design, the London Institute. She also directs the Practice-based Ph.D. programme for CSM. She is the Principal Investigator of the SMARTshell Project (creating innovative tools for synchronous and asynchronous online/integrated performance and learning), and of the Virtual Interactive Puppetry Project, the British Council's Cultural and Media Studies development programmes in North Africa, and the European Commission's RADICAL project (Research Agendas Developed in Creative Arts Labs). She is also the UK Executive Producer of Sara Diamond's Code Zebra Project, working with international partners at the Banff New Media Institute, BBC Imagineering, V2, UCLA, UC Berkeley, et al. Dr. Goodman has written and edited some 13 books including a range of titles on women and theatre, the arts, representation and creativity. Her books have been translated into several languages and are set on courses internationally.

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Stephanie Griffin

Canadian violist Stephanie Griffin has performed internationally as a soloist and with many types of ensembles, reflecting her wide-ranging musical interests. Her greatest commitment is to the music of Indonesian composer Tony Prabowo, with whom she has collaborated since 1998. Important solo engagements include Alfred Schnittke's Viola Concerto with the Juilliard Symphony; the Walton Viola Concerto in Newcastle-upon-Tyne, England; Art Summit 1998 in Jakarta; and recitals at St. Paul's Chapel, Jakarta's Teater Utan Kayu and the Chicago Cultural Center. Ms. Griffin has recorded for Siam Records, Koch International, Arte Nova and Harmolodic, and is the founder and artistic director of New Music on North Sixth at Galapagos in Williamsburg, Brooklyn. She studied in Belgium and the United States, where she received a Masters degree in music from the Juilliard School, under the guidance of Samuel Rhodes.

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Leslie Terrell Hamilton

Leslie Hamilton, Soprano, has thrilled audiences with her beautiful lyric-coloratura voice throughout the United States and abroad. While pursuing her graduate degree at the Juilliard School, Ms. Hamilton made her New York City debut at Alice Tully Hall. Ms. Hamilton, a native Washingtonian, has also made her Kennedy Center debut with the National Symphony Orchestra. Ms. Hamilton is the recipient of numerous awards and scholarships such as the DiPanni Scholarship, Morse Fellowship, the Maxwell and Murial Gluck Fellowship for performing artists, and the Lucrezia Bori grant, to further her study both in America and Europe. Most recently, Ms. Hamilton performed the role of Rosina in Rossini's The Barber of Seville and the leading role in The Impressario during a tour of Italy.

Ms. Hamilton's international performances include recitals in Senegal, Africa, Florence, Vietri sul Mare, and Salerno-Italy. Her credits also include the making of a world-wide operatic commercial for Fresca soft drink for the Coca-Cola company. Ms. Hamilton's extensive repertoire encompasses works ranging from baroque to contemporary composers.

A Distinguished Scholar of the State of Maryland, Ms. Hamilton was awarded a full scholarship to study music at the University of Maryland where she received a Bachelor of Music degree. Ms. Hamilton also holds a Master of Music degree from the Juilliard School. Upcoming engagements include recitals throughout the Northeast including the French Embassy, Washington, DC, excerpts from Bach's St. John Passion, and Brahms' German Requiem.

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David Holzman

Hailed as "a master pianist" (Andrew Porter, The New Yorker), David Holzman has won acclaim both for his recitals and his recordings. Among his honors and awards have been recording grants from the National Endowment for the Humanities and the Alice B. Ditson Fund. Commissioning grants have come from such organizations as Reader's Digest-Meet the Composer and the New Jersey Council on the Arts. Concentrating on Twentieth Century keyboard masterworks, Holzman has premiered hundreds of works by composers throughout the world and has made first recordings of many of them. His all-Wolpe CD, to be released on Bridge Records in 2001, features several premieres and is sponsored in part by the Stefan Wolpe Society. Mr. Holzman's website is www.battlemuse.com

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Joanna Jenner

JOANNA JENNER, violin, A member of the Orpheus Chamber Orchestra, Joanna Jenner has toured throughout the world and recorded more than forty discs. She has appeared as soloist with them, most recently in Vivaldi's Spring Season, and in many chamber music tours, most recently a tour to Madrid, Bratislava, Athens, and Warsaw. She has also participated in chamber music festivals in Bennington and Stowe, Vermont; Crested Butte, Colorado; the Grand Tetons, Wyoming; Rockport and Marblehead, Massachusetts; Hamden-Sydney, Virginia; Lockenhaus, Austria; and Prussia Cove, England. Performing on both violin and viola as a member of the Empire Trio,for several years she presented concerts and lectures throughout the U.S. and recorded for Crystal Records. Interested in expanding the scope of the violin in concert, she has commissioned "performance art" works from Jon Deak, Larry Bell, and Elizabeth Brown and introduced them to audiences from New York to Alaska. She appears in solo works by Allen Shawn on two Opus One recordings. On the faculty of the Mannes College of Music she has also taught at Bennington College, the University of Northern Iowa, the Apple Hill Center for Chamber Music and has served as artist-in-residence at Lafayette College in Easton, Pa. Ms Jenner is the founder and artistic director of the Riverrun Chamber Players, in residence since 1998 at the the Vermont Festival of the Arts.

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Heawon Kim

Heawon Kim's auspicious studies began in her native Korea as its most prized young pianist. She appeared at the age of 7 with the Korean Broadcasting Symphony Orchestra and the Seoul Philharmonic. Subsequently she won numerous competitions, appearing with these orchestras as soloist frequently on television and radio. Ms. Kim came to this country in 1972 to attend the North Carolina School of the Performing Arts under the guidance of Clifton Mathews winning the Vittorio Giannini Award, the Southeastern Music Teachers Competition, and appeared with the Orchestra of the North Carolina School of the Performing Arts under Nicholas Harsanyi. Following rave reviews, she was brought to New York by Claude Frank, with whom she studied at the Mannes School of Music, and subsequently completed her M.M. under Robert Goldsand at the Manhattan School of Music. She has frequently performed for the classes of Josef Gingold, Janos Starker, Franco Gulli and Andre Watts. Ms. Kim has performed as soloist with regional orchestras in the United States, in chamber music with such groups as the Bronx Arts Ensemble, Pierrot Consort, Rosewood Chamber Ensemble, Garrett Lakes Festival, Leonia Chamber Players and the Colonial Symphony. She has appeared with the KBS at the opening of the Sejong Arts Center. She is much in demand as a partner in recitals with such artists as Erick Friedman, Sanford Allen, Marion Davies and her husband, Dale Stuckenbruck. She is on the faculty of the C.W. Post Campus of Long Island University in an innovative new program for instrumentalists. She is active in the Korean musical community of New York as a pianist for major recitals.

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Michael Lipsey,

Percussion, has performed with Westchester Philharmonic, Lincoln Center Chamber Music Society II, Talujon Percussion Quartet. Mr. Lipsey is on the faculty of Queens College and Wagner College. He is recorded by Sony and has performed on thirty to forty CDs. He has appeared on numerous NPR Radio presentations.

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Kathryn Lockwood

Since coming to the US from Australia in 1991, violist Kathryn Lockwood has captured some of the most sought-after awards in the country - the Naumburg Chamber Music Award, Coleman Chamber Music Competition, Concert Artists Guild Management Award, Primrose Competition, Washington International Competition, and the Pasadena Instrumental Competition.

As a former member of the Pacifica Quartet, Kathryn has appeared on National Public Radio's "Performance Today", Carnegie Hall, Alice Tully Hall, Ravinia, Corcoran Gallery, St. Lawrence Center, and University of Thessaloniki/Greece. Kathryn has collaborated with violist Michael Tree on an all Dvorak CD and composer Easley Blackwood on recordings released by Cedille Records.

Kathryn is currently on faculty at University of Massachusetts, Amherst. She was previously on the faculty at Northwestern University, University of Chicago, Interlochen Academy, Music Institute of Chicago, and National Music Camp in Australia. Kathryn earned her Master's Degree with Donald McInnes at the University of Southern California, and her Bachelor of Music Degree from the Queensland Conservatorium of Music with Elizabeth Morgan.

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Jeff Nelson

Jeff Nelson, Bass Trambone, has been a resident of New York City for many years, since graduating and receiving a Performer's Certificate from the SUNY Fredonia School of Music in 1985. He has toured and performed with many renowned music artists including Lionel Hampton, Dizzy Gillespie, Maria Schneider, Harry Connick, Jr., Toshiko Akiyoshi, Slide Hampton, and Louie Bellson, as well as with such groups as the Carnegie Hall Jazz Band, the Vanguard Jazz Orchestra, the Mingus Big Band, the Manhattan Chamber Orchestra, Solid Brass, and the Hora Decima Brass Ensemble. Jeff is also very active on the Broadway theater circuit, having been a member of numerous show orchestras, most recently for the TONY Award winning show "Thoroughly Modern Millie". He is in demand for many concert and recording studio dates, having recorded for such artists as Terence Blanchard and Dave Liebman, as well as for numerous TV and radio jingles, and movie soundtracks. He can also be heard with his own seven piece group, the New York Trombone Conspiracy, which released its debut CD "A Matter of Time" a few years ago.

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Newband

While many regard NEWBAND as the world's preeminent microtonal music ensemble, NEWBAND regards itself as the traveling circus of new and experimental chamber music. The internationally renowned new music ensemble NEWBAND was founded in 1977 by composer Dean Drummond and flutist Stefani Starin who continue as Artistic Directors. With Drummond's invention of the 31-tone zoomoozophone in 1978, NEWBAND began to explore music using microtonality and alternative tuning systems in an innovative and eclectic repertoire influenced by jazz, rock and world music. In 1990, NEWBAND received custodianship of the original Harry Partch Instrument Collection. The typical NEWBAND concert involves a stage filled with some of the world's most amazing musical instruments performed upon by an ensemble of virtuosos who move from instrument to instrument with incredible ease.

NEWBAND has performed throughout North America and Europe including at New Music America in Houston, The Library of Congress and the Kennedy Center in Washington, Wexner Center for the Arts in Columbus, Walker Arts Center in Minneapolis, World Music Days in Oslo, Festival de Lille in France, USARTS Festival in Berlin and The Icebreaker in Amsterdam. In its New York home base, NEWBAND has performed at the New York Philharmonic Horizons New Virtuosity Series at Avery Fisher Hall, The Metropolitan Museum of Art, The Museum of Modern Art, Bang on a Can Festival, La Mama Experimental Theater, Merkin Concert Hall and Columbia University. NEWBAND has premiered works by Harry Partch, Dean Drummond, John Cage, John Zorn, Ezra Sims, James Pugliese, Elizabeth Brown, Anne Le Baron, Lois V Vierk and Julia Wolfe and recorded on Mode, Music and Arts, Point and Aurora Records.

NEWBAND currently consists of a core of nine virtuosic multi-instrumentalists, equally at home in concert performances and in productions involving theater, dance and film. NEWBAND productions have included: Harry Partch's The Wayward and Oedipus (both directed by Tom O'Horgan); Partch's Daphne of the Dunes with the Alice Farley Dance Theatre; Henry Cowell's Trickster Coyote with the Erick Hawkins Dance Company; and a live soundtrack by Dean Drummond for F.W. Murnau's landmark silent film, Der Letzte Mann (The Last Laugh). NEWBAND has pursued many educational projects, including in-school residencies and the creation of a new music children's show.

The Harry Partch Instrument Collection is the largest component of the Newband Instrumentarium, including all of the instruments built by the composer-inventor during the period 1930-1974, as well as several instruments replicated by the Harry Partch Foundation and Newband since 1974. Other instruments in the Newband Instrumentarium are the zoomoozophone and juststrokerods, both invented by Dean Drummond, a microtonally programmed synthesizer, and a large collection of exotic percussion instruments. NEWBAND performs on the Instrumentarium as well as standard Western instruments - flute, cello and percussion regularly - voices, clarinet, brass and strings as repertoire demands.

Newband's website is www.Newband.org

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Newband

STEFANI STARIN

Flutist STEFANI STARIN is Co-director of Newband. Her career has taken her to Europe and coast to coast as a soloist, chamber and orchestral musician, teacher and recording artist. As a soloist she has received awards from The Martha Baird rockefeller Foundation,The Alice Ditson Fund, and was invited to be on the roster of Affiliate Artists. Stefani has performed with many new music ensembles and dance companies in New York and California. Many composers have written music especially for her, taking advantage of her remarkable microtonal abilities on the flute. She has been invited to perform on major music festivals in Europe and United States. She is currently on the faculties of Juilliard and the Music Conservatory of Westchester. A graduate of Marlboro College and California Institute of the Arts, her teachers have been Harvey Sollberger, Paula Robison, Julius Baker, Ann Diener Giles and Louis Moyse. Stefani has recorded for Musical Heritage Society, Opus One, Mode, Lovely, I Virtuosi, Aurora, Music and Arts, and Innova.

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DEAN DRUMMOND

Dean Drummond is a composer, conductor, multi-instrumentalist, music instrument inventor, Co-director of Newband, Director/Curator of the Harry Partch Instrumentarium, and Professor of Music at Montclair State University, New Jersey. Drummond's compositions feature new acoustic instruments, synthesizers, new techniques for winds and strings, and large ensembles of exotic percussion. His music has been largely concerned with the exploration of microtones (musical scales with smaller than normal increments) and just intonation (the tuning of musical scales to the intervals of the overtone series). His music has been recorded on five CD's, on Innova, Music and Arts, Mode (2) and Talujon. Drummond's music has been performed internationally, and in New York in venues ranging from Knitting Factory and The Kitchen to Carnegie Hall and Avery Fisher Hall. His music has received numerous awards and commissions including a Guggenheim Fellowship, National Endowment for the Arts, New York State Council on the Arts, Library of Congress, Chamber Music America, and The Fromm Music Foundation at Harvard University. As Co-director of Newband, Drummond has produced and conducted Harry Partch's Oedipus at The Metropolitan Museum of Art and The Wayward at The Bang on a Can Festival. He has produced four Newband CD's, with a fifth on the way. As a Director of the New York Consortium for New Music, he helps produce the annual Sonic Boom Festival in New York City. Drummond has also invented two musical instruments, the zoomoozophone and the juststrokerods. Born in 1949 in Los Angeles, Drummond received degrees in music composition from the University of Southern California (1971) and California Institute of the Arts (1973). While a student, he worked as musician for and assistant to Harry Partch, performing in the premieres of Partch's Daphne of the Dunes, And on the Seventh Day Petals Fell in Petaluma, and Delusion of the Fury, as well as on both Columbia Masterworks recordings made during the late 60's.

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TOM CHIU

Violinist TOM CHIU has received wide acclaim for his performances as a soloist, chamber artist, and experimental improvisor. An avid performer of new music, Mr. Chiu has worked closely with noted composers such as Milton Babbitt, Virko Baley, Dean Drummond, and Zhou Long, among others, as well as free jazz pioneer Ornette Coleman, with whom he appeared at the 2000 Bell Atlantic Jazz Festival in New York. He has also collaborated with lesser-known fringe artists whose work he admires, such as balloon virtuoso Judy Dunaway, avant dancer Eun-Me Ahn, and electronicist/synthesist Virgil Moorefield. His discography includes recordings for the BMG, Cambria, Koch, Sombient, and Tzadik labels. With the FLUX Quartet, of which he is founder and first violinist, Mr. Chiu has appeared at international festivals in Melbourne and Oslo, as well as American festivals such as Ojai, Summergarden, and Lincoln Center's A Great Day in New York. Currently, FLUX is resident ensemble in When Morty Met John..., a three-year series at Carnegie's Weill Hall featuring the music of John Cage, Morton Feldman, and composers from the New York School. Holding degrees in music and chemistry from Juilliard and Yale, Mr. Chiu occasionally reminisces about his childhood appearance with Tom Hanks in the feature film, The Man With One Red Shoe.

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MICHAEL LIPSEY

Michael Lipsey (zoomoozophone, kithara, harmonic canons, diamond marimba, bass marimba, marimba eroica, cloud chamber bowls, juststrokerods,surrogate kithara, percussion) received his M.M. from Manhattan school of Music. He is ensemble instructor at Queens College, Wagner College and Connecticut College. Beside performing with Newband, Michael is a member of the Talujon Percussion Quartet and many other new music groups.

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TOM KOLOR

Cited by the New York Times as "a virtuosic percussionist", Tom Kolor specializes in 20th and 21st century chamber music. He has appeared internationally as a member of the Talujon Percussion Quartet, New Jersey Percussion Ensemble, Ensemble Sospeso, and Ensemble 21, and has been a guestof the Chamber Music Society of Lincoln Center, Speculum Musicae,Bargemusic, the Orchestra of St. Lukes, Newband, New York New Music Ensemble, Da Capo Chamber Players, and the Group For Contemporary Music. Mr. Kolor can be heard on New World, Capstone, Naxos, Koch, and Innova.

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JIM PUGLIESE

Jim Pugliese has been playing drums, percussion, and composing music for over 25 years. Born in Newark N.J. in 1952 Jim grew up listening to and playing soul music and rhythm and blues. He later went on to study jazz drumming with Carl Wolf, composition with Dr. George Walker and percussion with Raymond Des Roches, performing and or recording new music with John Cage, Lukas Foss, Kent Nagano, Philip Glass and Carlos Chavez. At the same time he developed an interest in Afro-Cuban music and studied drumming and rhythm with Master Drummer Pablo Landrum.

For the last fifteen years, while living in the East Village of New York City, Jim has been performing, composing and recording with many of downtowns most prominent composer/improvisers. He has recorded on over 60 CD's of new music, jazz and rock. Jim has established himself as both performer and composer throughout the United States, Europe and Japan.

In 1998 Jim was selected as Artist In Residence at Harvestworks in NYC where he recorded his solo CD "Sonic Soul". On November 23rd, 1997 Avant released the first cd for his collaborative trio EasSide Percussion with Christine Bard and Michael Evans. This group is about to release their second CD for the Avant label.

In his ongoing quest to explore the powerful, enlightening and spiritual secrets of drumming Jim is currently collaborating with Nii Tettey Tetteh master musician from Ghana and continuing his work with Milford Graves learning about drumming and healing.

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MARTIN GOLDRAY

Martin Goldray holds a BA from Cornell University, a DMA from Yale, and studied piano in Paris on a Fulbright Scholarship. He was a member of the Philip Glass Ensemble from 1983-1998 and has played and conducted new music by Elliott Carter, Milton Babbitt, Anthony Davis and many others. He recently conducted Jon Cale's soundtrack to the film American Psycho. He is currently on the faculty at Sarah Lawrence College where he teaches music theory and history and conducts the Sarah Lawrence College Orchestra.

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Nuove Musiche

In 1601 the Italian composer Giulio Caccini published a book of songs and entitled it "Le Nuove Musiche", or "The New Music". These songs introduced a new way to interpret spoken text and led to a revolution in singing style. Award winning vocalist, Sarah Pillow has international experience in the historically informed performance of early Baroque song. These accomplishments were preceded by her highly acclaimed performance as a jazz musician.

After presenting the two styles separately and making several recordings of both early and modern music for the BBC and ASV Records, Sarah was inspired to put these genres together and create her own version of "Nuove Musiche". Joined by leading musicians of rock and jazz, Sarah Pillow takes these beautiful songs from another world and brings forth their relevance in the 21st century. This group of Brand X members, bass player Percy Jones, guitarist John Goodsall, midi vibes player Marc Wagnon and drummer Frank Katz have inspired the unique sound of the programs, with rock and jazz influences. Composers include Henry Purcell, Claudio Monteverdi and John Doland. The result, moving in a fresh, new direction, proves that great music lasts forever.

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Sound Clip from Nuove Musiche

BAND BIOGRAPHIES

Percy Jones: A native Wales, Percy played with Liverpool Scene and Scaffold, and toured the U.K. pub/club circuit extensively. He is a founding member of Brand X and it is his and John Goodsall's musical character that has defined the band throughout the years. His album credits include three albums with Liverpool Scene, seven with Brand X, Paranoise, Masami Tsuchiya, Tunnels, two solo albums and numerous sessions and performances with names such as Brian Eno, Bill Frisell, Roy Harper, Nova, Elliot Sharpe, Bobby Previte and Suzanne Vega. Percy is considered to be one of the greatest bass players in the world by Bass Player Magazine. This master's unique approach to the fretless bass can be best summarized with his quote: "I'll try anything to make the bass sound like it usually doesn't. " Percy's performances with Nuove Musiche are inspirational.

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Marc Wagnon: Born in Switzerland, Marc studied classical percussion at the Geneva Conservatory while performing as a drummer in several jazz-rock groups. Marc moved to the United States to study at the Berklee College of Music, focusing on the vibraphone and percussion. He soon moved to New York City where the cultural diversity influenced him in his playing and compositions. His first group in New York, Shadowlines, includes such prestigious musicians as Dave Kikoski, Ray Anderson and Dave Douglas.

Marc has performed and recorded extensively in the United States, South America and Europe with Shadowlines, the avant-rock group Dr. Nerve, Brand X, Gongzilla, and Tunnels. Marc is co-author of most of the arrangements for "Nuove Musiche".

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John Goodsall: John began playing guitar at age 7; at 15 he started his first band, Babylon, with members who would later become Joe Cocker's Grease Band. He then began touring extensively, and at 17, John was playing large stadiums and festival shows, headlining over acts like Emerson, Lake and Palmer and the New Yardbirds (later to be Led Zeppelin). In London, his session work would eventually lead him to cross paths with Percy Jones, Robin Lumley and Pete Bonas; the players that would become Brand X. John moved to L.A. and emerged himself in the session scene, working with such musicians as Bill Bruford, Peter Gabriel, Billy Idol, Bryan Adams, Toni Basil, Mark Isham, as well as many others. His movie soundtrack credits are also quite extensive. In addition John helped pioneer MIDI technology with Gibson Laboratories and released two albums with his band The Fire Merchants, before reuniting with Brand X in the early nineties. John met Marc Wagnon on the last Brand X tour, and started working with him and Sarah Pillow on the Nuove Musiche project. John is co-author of most of the arrangements for "Nuove Musiche."

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Frank Katz: According to Herbie Hancock's drummer Mike Clark, "Frank Katz is one of the most exciting discoveries since Jack Dejohnette and Tony Williams." Frank started playing drums at the age of six and appeared on his first album at the age of seventeen. Two years later Frank joined the faculty of the New York Drummers Collective. Frank has toured extensively with Brand X and appears on their 1992 release X Communication and their latest album Manifest Destiny.

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Sarah Pillow

has paved her own way in the music world, with an eclectic career that spans many vocal styles. Her work in early Baroque repertoire has been extensive, including performances and recordings for BBC Radio 3 in England. She has performed in Ireland, England, France and the United States with historical harpist Jan Walters, with whom she founded the group Musica Fabula. Sarah has recorded eight albums, three of which on the early music series of ASV Records, the Gaudeamus label. As a jazz musician, Sarah has performed at the Montreux and Ozone Jazz Festivals in Europe, and with her trio in Switzerland, New York City, Pennsylvania and California. Her latest recording, "Nuove Musiche", is a selection of 17th century songs that have been given modern arrangements, and features the original members of the post-fusion band Brand X. This past summer Sarah performed and taught at the Berkshire Choral Festival in Sheffield, Massachusetts. In addition to her singing, Sarah teaches privately, is the conductor of Viva Voce, a New York-based a capella vocal group, and is vice-president of Buckyball Music, an artist-run music company devoted to raising the musician up the totem pole of the music business hierarchy. More information about Sarah can be found at scentertainmentonline.com or buckyballmusic.com

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Enrique Orengo

Cellist Enrique Orengo was born in Puerto Rico, yet his entire life as an artist is representative of the musically rich life he has lived in New York City. At the age of 11, while a student in the New York public schools, Enrique's life was transformed by the discovery of the cello. After initial studies with Channing Robbins, he continued his formal training at the Manhattan School of Music with Ardyth Alton and at the Aaron Copland School of Music at Queens College with Robert Gardner.

Mr. Orengo has appeared as soloist with the Bronx Symphony Orchestra where he was principal cellist and soloist for several years. A recipient of grants for chamber music from the National Endowment for the Arts, the New York State Council on the Arts and the Bronx council on the Arts, he has been a featured solo artist since 1994 with the chamber music concert series, Musica de Camara, Inc. In 1999, Enrique Orengo performed a successful recital debut at Weill Hall and was a recipient of the Cultural Music Award from the Instituto De Puerto Rico of New York.

Much in demand as a recording artist, he has recorded over 40 albums in the Latin Music industry. He has several CDs with David Byrne of "The Talking Heads" to his credit, a recent recording of original chamber music by composer Daniel Levy, and the cast album CD of Paul Simon's Broadway show "The Capeman," which was subsequently nominated for a Tony Award for best musical score.

Enrique Orengo is also a dedicated teacher. He is on the faculty of the Harbor Conservatory for the Performing Arts. As a Teacher/Artist he has been active in the Guggenheim Museum's Learning through Art children's program, the New Jersey Consortium for Gifted Children, and the Lincoln Center Institute. Engaged by the Board of Education for its city-wide Project ARTS program, Mr. Orengo is building an exceptional String Performance Program at the Intermediate Middle School Academies I.S. 218, in partnership with the Children's Aid Society, in the Inwood section of Washington Heights.

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Daniel Pincus

whom the New Yorker described as a "lively and engaging tenor", has performed with the Portland Baroque Orchestra, the Marlboro Music Festival, The Washington Chamber Symphony, The New Jersey Baroque Ensemble, the Long Island Baroque Ensemble, and with the Berkshire Bach Society. In 1994, he received critical adulation for his performance of Holofernes in A. Scarlatti's Giuditta with the Monadnock Music Festival in New Hampshire. Moreover, he received critical notice for his performances on "Jane's Hand," a collection of Jane Austen's favorite vocal music on Vox. Most recently, he sang in the opera recording "The Trial of the Century" by Anthony Newman on Albany Records. He also premiered vocal compositions of Bruce Adolphe.

Mr. Pincus received his cantorial investiture from the the Hebrew Union College- Jewish Institute of Religion, School of Sacred Music in May, 2000, where he received numerous academic and musical prizes. He currently serves two congregations part-time - the Reform Congregation Mickve Israel in Savannah, GA and the conservative Temple Emanuel of North Jersey in Oakland, New Jersey. Cantor Pincus is heard on the soundtrack of the film "Antisemitism" currently showing at the National Holocaust Museum in Washington, D.C. He also sang and coached the Hebrew for Volume I of Salomone Rossi's Songs of Solomon with New York Baroque, Eric Milnes, conductor, on the Dorian label.

Ruthanne Schempf

Pianist, Probably the most sought after Pianist in the Hudson Valley She is a pianist for the West point Glee Club with which she performs worldwide and is on the faculties of Marist College and SUNY New Paltz. She has performed with the Hudson Valley Philharmonic, The Hudson Valley String Quartet among others. As a soloist she has performed with the West Point Band and Wind Ensemble. Top

Barbara Siesel

Flutist, Artistic Director Storm King Music Festival. Ms. Siesel is a Flutist who performs traditionally and is also active in experimental new media and performance projects. Ms. Siesel has appeared as soloist in principal halls of China, Korea, Spain, Japan, Taiwan, Russia and the United States. She has made extended tours of the Far East, Spain and China including three weeks of workshops, master classes and recitals at the Central Conservatory in Beijing, and appearances in Japan and Taiwan sponsored by the Altus Flute Co., Ltd. In 1995, representing women in the arts, she appeared in solo concert at the United Nations Conference on Women in Beijing. Ms. Siesel served as soloist at Jornados de Musica del Siglo XX in Segovia, Spain, California's Redwood Festival, the Adirondack Festival of American Music, the Derriere Guard Festival in New York City, and the Festival of the Performing Arts at Florida International University.

Continuing her long-standing interest in interdisciplinary work and multimedia, Ms. Siesel was asked to create and direct an experimental interdisciplinary/ multimedia program at the New World School of the Arts in Miami, Florida. She serves as the Artistic Director of Art Culture & Technology, ACT, a pioneering organization at the crossroads of art and digital media; creating classical music videos, installations, and fostering cross-disciplinary collaborations for the American Music Theater Festival in Philadelphia, The Snug Harbor Cultural Center and Downtown Arts Festival in New York, the Centennial Olympics in Atlanta, and more.

In progress is a collaboration with composer Sidney Corbett on a video performance piece in full evening recital. The work will explore the cultural impact of one family's escape from Germany through a montage of computer imagery and new music in a traditional setting. In 1982 Siesel co-founded the Andiamo Chamber Ensemble, serving as Artistic Director from 1984 to the present. Andiamo has commissioned and premiered works by such noted American Composers as Aaron Kernis, Michael Torke, Ronald Caltabiano, Jay Yim,Zhou Long, and Stefania de Kenessey among others. Known for its' innovative and thematic programming, Andiamo over the years has presented various adventurous series including: The Millennium Project: a lecture/concert series looking at 20th century composition through the issues of the century, concerts exploring the Second Viennese School, and other recitals that presented multicultural collaborations (notably Chinese and Western). Andiamo has held residencies at the New School and Florida International University, and been the recipient of grants from the National Endowment of the Arts, the New York State Council on the Arts, and the Manhattan Fund among others.

During 1999, she served as a panelist for the NY State Council on the Arts Composers Commissions and participated in the Manhattan School of Music's Careers in the 21st Century. Recently, she organized with ACT a session on music and new technology for Chamber Music America's Annual Conference.

In Summer 2002 Ms. Siesel will release her first solo CD on the ERM label playing works by "New Traditional American Composers" including Lowell Liebermann, Stefania de Kenessey, Elena Ruehr and others. She will also release two music videos co-produced with ACT of works by composers Fredrick Kaufman and Elena Ruehr, incorporating the visual art of noted filmmaker and painter Donna Cameron. She can also be heard on CRI, Opus One and BMG.

Ms. Siesel received her Bachelor's and Master's degree's from The Juilliard School where she was a student of Samuel Baron. She has had further studies wit Julius Baker, Gerardo Levy, and Thomas Nyfenger; and master classes with Jean Pierre Rampal and James Galway.

Barbara's website is www.BarbaraSiesel.com

Sound clips from Barbara Siesel's CD - New Traditions in American Flute Music

Stefania de Kenessey - Sonata in D Minor - Andante (Real Audio - better for slower connections)

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Margaret Steele

Margaret Steele's performances as both a magician and musician have taken her to Europe, Japan, Australia and South America, as well as throughout the US and Canada. Her magic has been featured on television on WNBC's Today in New York, and the CBC documentary, The Magic Mystery School. She has designed and performed magical family programs for the New Jersey Symphony Orchestra, Hudson Valley Philharmonic and the US Army Band at West Point. She has been featured at the Magic Castle in Hollywood, as well as at international festivals, corporate events and aboard cruise ships.

Margaret is also a playwright, specializing in works that combine music and magic. Woodwind Wizardry debuted at the Harlem School of the Arts, where it was filmed for the Discovery Channel Canada documentary series, Grand Illusion, the Story of Magic.. Her earlier play, Young Wolfgang, was produced Off-Broadway at New York's Vineyard Theatre. Her orchestral family program, Enchanted Mother Goose , made its debut with the New Sussex Symphony and was most recently presented at the Rhinebeck Center for Performing arts, alongside her Christmas play, The Magical Holiday Elves. Her latest work, Spells and Enchantments, debuted in October 2000 with the Queens Symphony Orchestra.

A graduate of The Juilliard School, Margaret has played oboe with (among many others) the American Symphony Orchestra, Opera Orchestra of New York and American Ballet Theatre. She has played on Broadway in the orchestras of nine hit musicals.

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John Charles Thomas

trumpet, has performed in the premieres of works in both Carnegie Hall and Lincoln Center, performed in Europe, Asia, Canada and the US as soloist and chamber musician. Originally from Springfield, Ohio, he is currently the principal trumpet with the Ridgefield Symphony (Connecticut), associate principal trumpet of the Queens Symphony (NYC), cornet soloist with the New York Ragtime Orchestra, and a member of the Modern Brass Quintet (NYC). His has performed regularly with the New York Philharmonic, Hudson Valley Philharmonic, and several Broadway shows. He has also performed with the American Symphony, Solisti New York, Trier Bach Soloists (Germany), Vienna Symphony, and the San Francisco Symphony.

Dr. Thomas has performed on several classical and contemporary recordings, and has also recorded on the baroque (natural) trumpet several works of Handel, Bach and Buxtehude, including Messiah and The B-Minor Mass. His distinctive trumpet sound can be heard on several film soundtracks including, most recently, Titus (Julie Taymor's adaptation of Shakespeare's Titus Andronicus), and as the trumpet soloist on the Bill Moyers/ Joseph Campbell's six-part series for public television, The Power of Myth, He is currently teaching trumpet at Bard College in Annandale-on-Hudson, NY, and the Allen-Stevenson School (NYC). He has taught music and trumpet privately and at the State University of New York at Stony Brook, Marist College, Packer Collegiate Institute (Brooklyn, NY), and the Parsons School (NYC).

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Visual Artists

Elizabeth Harington

Born of British parents in South Africa, Harington has worked as an artist, teacher and printmaker most of her life. She relocated to the United States in 1978 and became affiliated with the Printmaking Workshop. Harington has shown internationally and is presented in many prominent collections. She is also a recipient of many awards including a Gottlieb Foundation Grant in 1992 and in 1991 and 1995 a Pollock-Krasner Award.

On January 25th 1997 Elizabeth Harington released the most extraordinary eight-year achievement in the field of fine art etchings. The portfolio features 24 etchings, Preludes and Fugues, that are as varied and different as the elements that make up the superbly integrated musical pieces it accompanies. Coming from South Africa in 1978, she started to print in New York, and found a new home and the ability to throw herself into her art. She began a series of etchings, focusing first on her outstretched body as a cross, then the seated lotus position as the triangle and finally the extended hand as the spiral, then moving her focus from her body to her hand and to the keyboard and finally to the J.S. Bach's The Well Tempered Clavier, Book 1. Four years after completing these prints she decided to work on yet another composition of Bach, the Art of Fugue. Etchings on JS Bach's The Well-tempered Clavier. Top

Bruce Wands

is an artist, writer and musician. He is the Chair of the MFA Computer Art Department and the Director of Computer Education at the School of Visual Arts in New York. He has taught for eighteen years in the graduate, undergraduate, and continuing education programs in Computer Art. His department's site, www.sva.edu/mfacad was named by Yahoo Internet Life as one of the "100 Best Sites of 2002" for Best Original Web Art. Time Out New York named Bruce as one of the "99 People to Watch in 1999". He has lectured and exhibited his creative work internationally, including Europe, Japan, Hong Kong and Beijing, China. His digital art, photography, music and writing explore the invention of new forms of narrative and the relationship between visual art and music. Bruce was the first musician to perform live over ISDN lines on the Internet in 1992. His Web site is www.brucewands.com. His book, Digital Creativity, was published by John Wiley & Sons, Inc. in 2001 (www.wiley.com/wands). He is the Director of the New York Digital Salon, an international digital art exhibition (www.NYDigitalSalon.org). Bruce is also an independent producer/composer with his own company, Wands Studio, which has created award winning design, video, animation and music for AT&T, General Motors, United Technologies, Colgate Palmolive and others. As an educational and corporate consultant, his clients have included the New York State Department of Education, the Center for Creative Studies, Buffalo State College and Direct Gas Supply. He served on the NYC ACM SIGGRAPH Board of Directors for ten years. He has a BA with honors from Lafayette College and an MS from Syracuse University, where he studied computer art and mass communication.

e-mail:BESiesel at aol.com

phone 845-534-5819

Website by Robin Hastey of RLH Websites